11/11/2022 0 Comments Tosca san francisco opera![]() ![]() And yes, the big Act 2 aria, “Vissi d’arte,” was delivered with sympathetic ardor - but Haroutounian’s entire performance surrounding it was so gripping, from moment to moment and scene to scene, that that number was merely one splendor among many. TOSCA SAN FRANCISCO OPERA FULLHer rhythmic control is fluent, her low notes robust and full of life, and her stage presence at once charismatic and vulnerable. The voice rings out powerfully, and yet there’s a sheathed quality to it that encompasses even the most piercing high notes in a wealth of color. Haroutounian was able to pull off this integration of performer and character largely because her vocal endowments are so prodigious. You just knew that Tosca would never tell a story like this without one eye on her audience. But the fearless energy of Haroutounian’s delivery - the way she tossed off peals of impeccably shaped notes without seeming to worry about where they would land - fused those two qualities seamlessly.Īnd in Act 3, when Tosca recounts the climactic conclusion of Act 2 - in which she plunged a dagger into the heart of the evil police chief Baron Scarpia - Haroutounian’s narrative was at once gripping and artistic, vaulting to a perfectly placed and sustained high C at the mention of the blade. We can't wait to see her "take" on the opera and root her on for pioneering and achieving such an undertaking! Click HERE to grab your tickets and see it for yourself! Click to WATCH our latest Red Curtain Addict Episodes Click to READ more Red Curtain Addict Blog Posts.In Act 1, when Tosca throws a little jealous tantrum at her lover, the painter Cavaradossi, the effect is always a simultaneous combination of staginess and genuine emotion. ![]() Talk about a task and talk about influence! " Tosca is a piece for today like almost never before," says Shawna. ![]() So essentially, she has to put herself in Puccini's shoes and think about how he would have portrayed this opera today while respecting the historical elements and storyline. ![]() to refresh this 118-year-old opera for current audiences. Shawna has been tasked with reinventing the stagecraft, costume designs, acting, etc. The Directing! From October 3-30, 2018, San Francisco Opera is presenting a new production of Tosca that has been spearheaded by the amazing female Director, Shawna Lucey! Even in 2018, a female Director is very uncommon so it's gratifying to see San Francisco Opera equalize the leadership opportunities and empower those with talent, regardless of their gender. Ever since sopranos have been singing the aria in the same way - lying down or slouched over - and audiences are continuously amazed! Can you sing at you the top of your lungs and project to a giant hall while lying down? Go ahead, give it a try. Coincidently enough, Puccini was in the audience when it happened and fell in love with this impromptu and dramatic feat. Not able to get up, she sang it while lying on the ground! The audience was astonished by her ability to sing from an unprecedented position and the critics raved about her ability to continue on. In 1914, Maria stumbled upon this fame (quite literally) when she mistakenly fell right before her cue to sing the famous aria, "Vissi d'arte". Click HERE to watch! The Staging Soprano Maria Jeritza was known as Puccini's favorite Tosca. ![]()
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